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The Bridge Manifesto of asserts that: Oil and tempura on burlap, 48x The girls seem to be discussing something secretive and serious, and the viewer is a trespasser on their land. For example, they used high-key color along with jarring contrasts to show this rebellious emotion. Müller looked to other artists besides Gauguin and their renderings of various natural media as well. The figures are deliberately seated in a manner that shows three-dimensionality and depth and a relationship between the three. Three Girls in a Wood shares pictorial, two-dimensional qualities with these cave paintings.

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Ashgate Publishing Company, Gauguin could have influenced this choice as well, as he used burlap as a support for Landscape with a Horse, also in the collection of the Saint Louis Art Museum. In addition to the material, the brushwork has significance regarding primitivism as well. For Gauguin, this material was readily available in Tahiti since burlap sacks were primarily used to transport goods for trade. Like the other artists of the Bridge, Müller attempted to become close to nature himself through the rendering of primitivist art. The figures do not seem to completely blend in, but rather they stand out, away from this backdrop.

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Comments

  • Avi 15 days ago

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  • Misael 5 days ago

    Looks the same just has bigger lips and ass

  • Ariel 16 days ago

    Do people actually think she's attractive? Honest question.